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Jasper Somsen Invites Anton Goudsmit - Live!

Jasper Somsen | Anton Goudsmit

Jasper Somsen Invites Anton Goudsmit - Live!

Price: € 19.95
Format: CD
Label: Challenge Records
UPC: 0608917359220
Catnr: CR 73592
Release date: 07 February 2025
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1 CD
€ 19.95
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Label
Challenge Records
UPC
0608917359220
Catalogue number
CR 73592
Release date
07 February 2025
Album
Artist(s)
Composer(s)
EN
DE

About the album

It’s a gift that has been handed to Jasper: the ability to choose a musical partner for a unique project where the sum of the parts far exceeds the normal mathematical result. The result is the epitome of synergy. The fact that Anton is a brilliant all-rounder, however, does not guarantee the success of a duo project. But Jasper was keenly aware of the fact that the combination could yield something wonderful, something really entrancing. And I draw on the honour of writing these notes to warn the unsuspecting listener that these great live recordings are addictive. Not merely because of their lovely tones, thrilling turns, subtle waywardness and the restrained calm that pervades them. No, for me, it is first and foremost the overall vibe that makes this release so special. You’re literally transported to a sound world that breathes, where a liberating space prevails. Your sense of time wavers and you feel connected to the language of the players. Listening to them places you fully in the Now.

We have known both musicians for a long time through a whole gamut of projects. Yet this live performance sheds new light on them both. Together they explore and push myriad artistic boundaries. They play and, most importantly, they listen - audibly! Have I ever heard a more intense version of Reinhardt’s Nuages? And how does their rendering of Strange Meeting contrive to make me listen to the great Bill Frisell with new ears? Their performance of Desberato, a Goudsmit composition, without doubt qualifies as an absolute highlight of subtlety and musicality. Listening to all the pieces yet again arouses a clear image in my mind: I’m sitting in my garden, daydreaming in the sun. A butterfly lands on my arm and I can marvel at it from close by. But I don’t want to touch it with my other hand or harm it or scare it away. The music does something similar to me: I can be very close to it, but it has its own beauty, strength, and fragility. So many words just to say how wonderful I find it all.
Jasper wurde ein Geschenk gemacht: die Fähigkeit, einen musikalischen Partner für ein einzigartiges Projekt auszuwählen, bei dem die Summe der Teile weit über das normale mathematische Ergebnis hinausgeht. Das Ergebnis ist der Inbegriff von Synergie. Die Tatsache, dass Anton ein brillanter Allrounder ist, ist jedoch keine Garantie für den Erfolg eines Duo-Projekts. Aber Jasper war sich der Tatsache sehr bewusst, dass die Kombination etwas Wunderbares, etwas wirklich Bezauberndes hervorbringen könnte. Und ich nutze die Gelegenheit, diese Zeilen zu schreiben, um den ahnungslosen Hörer zu warnen, dass diese großartigen Live-Aufnahmen süchtig machen. Nicht nur wegen ihrer schönen Töne, spannenden Wendungen, subtilen Eigensinnigkeit und der zurückhaltenden Ruhe, die sie durchdringt. Nein, für mich ist es in erster Linie die Gesamtstimmung, die diese Veröffentlichung so besonders macht. Man wird buchstäblich in eine Klangwelt versetzt, die atmet und in der ein befreiender Raum herrscht. Das Zeitgefühl schwankt und man fühlt sich mit der Sprache der Musiker verbunden. Wenn man ihnen zuhört, ist man ganz im Jetzt.
Wir kennen beide Musiker schon lange durch eine ganze Reihe von Projekten. Doch diese Live-Performance wirft ein neues Licht auf sie beiden. Gemeinsam erforschen und verschieben sie unzählige künstlerische Grenzen. Sie spielen und, was am wichtigsten ist, sie hören zu – hörbar! Habe ich jemals eine intensivere Version von Reinhardts „Nuages“ gehört? Und wie schafft es ihre Interpretation von „Strange Meeting“, mich dazu zu bringen, den großartigen Bill Frisell mit neuen Ohren zu hören? Ihre Darbietung von „Desberato“, einer Komposition von Goudsmit, ist zweifellos ein absolutes Highlight an Subtilität und Musikalität. Wenn ich mir all die Stücke noch einmal anhöre, entsteht in meinem Kopf ein klares Bild: Ich sitze in meinem Garten und träume in der Sonne vor mich hin. Ein Schmetterling landet auf meinem Arm und ich kann ihn aus nächster Nähe bestaunen. Aber ich möchte ihn nicht mit meiner anderen Hand berühren, ihm wehtun oder ihn verscheuchen. Die Musik bewirkt etwas Ähnliches bei mir: Ich kann ihr ganz nah sein, aber sie hat ihre eigene Schönheit, Stärke und Zerbrechlichkeit. So viele Worte, nur um auszudrücken, wie wunderbar ich das alles finde.

Artist(s)

Anton Goudsmit (guitar)

Guitarist Anton Goudsmit is a much sought-after player who does amazing things with whatever music he is presented with or writes. In 2001 Anton formed the Ploctones to perform a series of his compositions commissioned by Dutch NPS Radio.
In 2004 a Goudsmit organized a live CD recording of the Ploctones at the Jazz op het Dak festival which was featured on VPRO television. Since then the Ploctones have emerged as a very creative and innovative group, capable of combining grooves and improvisation. Anton also performs internationally with the New Cool Collective as well as Eric Vloeimans’ Fugimundi trio (US tours in 2008 and 2010). Anton Goudsmit won the coveted Boy Edgar Prize in 2010 for his contribution and standing on...
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Guitarist Anton Goudsmit is a much sought-after player who does amazing things with whatever music he is presented with or writes. In 2001 Anton formed the Ploctones to perform a series of his compositions commissioned by Dutch NPS Radio.
In 2004 a Goudsmit organized a live CD recording of the Ploctones at the Jazz op het Dak festival which was featured on VPRO television. Since then the Ploctones have emerged as a very creative and innovative group, capable of combining grooves and improvisation. Anton also performs internationally with the New Cool Collective as well as Eric Vloeimans’ Fugimundi trio (US tours in 2008 and 2010). Anton Goudsmit won the coveted Boy Edgar Prize in 2010 for his contribution and standing on the Dutch Jazz Scene.

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Jasper Somsen (double bass)

Dutch double bassist, composer and producer Jasper Somsen (1973) graduated in both Jazz and Classical double bass. He is an open minded versatile musician. Best known as a Jazz musician his field of interest and expertise also includes cross overs to classical, pop, world and film music and theater productions. Jasper has collaborated with some of the very best musicians on the international jazz scene including Peter Erskine, Enrico Pieranunzi, Joey Calderazzo, Jeff Ballard, John Beasley, Jean-Michel Pilc, Eric Marienthal, Bob Sheppard, Seamus Blake, Jorge Rossy, Kendrick Scott, Justin Faulkner, André Ceccarelli, Gary Husband, Gabriele Mirabassi and Paolo Fresu. Besides a performer and composer, Jasper Somsen is a Challenge Records artist and a renowned studio producer. Jasper performs world wide and can be...
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Dutch double bassist, composer and producer Jasper Somsen (1973) graduated in both Jazz and Classical double bass. He is an open minded versatile musician. Best known as a Jazz musician his field of interest and expertise also includes cross overs to classical, pop, world and film music and theater productions.

Jasper has collaborated with some of the very best musicians on the international jazz scene including Peter Erskine, Enrico Pieranunzi, Joey Calderazzo, Jeff Ballard, John Beasley, Jean-Michel Pilc, Eric Marienthal, Bob Sheppard, Seamus Blake, Jorge Rossy, Kendrick Scott, Justin Faulkner, André Ceccarelli, Gary Husband, Gabriele Mirabassi and Paolo Fresu.

Besides a performer and composer, Jasper Somsen is a Challenge Records artist and a renowned studio producer. Jasper performs world wide and can be heard on more than 45 albums, video and film music scores. Outside a busy playing and studio producing schedule he is an educator at the ArtEZ University of the Arts, Arnhem (NL) and the general director of the foundation Cultural City of Wageningen, in his hometown.


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Composer(s)

Django Reinhardt

Born in Belgium on January 23, 1910, Django Reinhardt learned guitar at an early age, adapting his technique to accommodate the loss of the use of two fingers burned in a caravan fire in 1928. Reinhardt toured the United States with Duke Ellington in 1946. He was one of the first important guitar soloists in jazz; his blend of swing and the Roma musical tradition, as well as his unconventional technique, made him a unique and legendary figure. Reinhardt died in France in 1953. Early Life Born on January 23, 1910, in Liberchies, Belgium, Django Reinhardt became famous for his unique musical sound, which blended elements of American jazz with traditional European and Roma music. Reinhardt's father was a musician and entertainer...
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Born in Belgium on January 23, 1910, Django Reinhardt learned guitar at an early age, adapting his technique to accommodate the loss of the use of two fingers burned in a caravan fire in 1928. Reinhardt toured the United States with Duke Ellington in 1946. He was one of the first important guitar soloists in jazz; his blend of swing and the Roma musical tradition, as well as his unconventional technique, made him a unique and legendary figure. Reinhardt died in France in 1953.

Early Life

Born on January 23, 1910, in Liberchies, Belgium, Django Reinhardt became famous for his unique musical sound, which blended elements of American jazz with traditional European and Roma music. Reinhardt's father was a musician and entertainer and his mother was a dancer, according to some reports; they were Manouches, or French gypsies, and they eventually settled in a camp near Paris. Raised without any formal schooling, Reinhardt was practically illiterate.

In his youth, Reinhardt learned to play an interesting instrument—a hybrid of a guitar and a banjo. He was largely self-taught, never learning how to write or read music. Later on, Reinhardt had to depend on others to transcribe his compositions. He was already playing in clubs in Paris by his early teens. Reinhardt started out playing popular French music, but he became interested in American jazz in the mid-1920s. He especially liked the works of Duke Ellington, Louis Armstrong and Joe Venuti. His promising career, however, was almost ended by a terrible accident in 1928.

In 1928, Reinhardt was injured in a fire in his caravan. A lit candle fell into some paper, or celluloid, flowers that his wife had made to sell, and the flames quickly spread throughout their home. Both Reinhardt and his wife made it out of the fire, but Reinhardt suffered bad burns to his right leg and left hand. Perhaps worst of all for this talented musician, he permanently lost the use of two fingers on his damaged hand. He would spend the next 18 months to two years recuperating.

During this time, Reinhardt taught himself how to play music again. It was a slow, painful process, but he devised an innovative style of guitar playing. With his two fingers and thumb, Reinhardt handled his instrument with remarkable speed and agility. He was back to dazzling audiences in the Paris nightclubs by 1930.
Famous Quintet

By the mid-1930s, Reinhardt had joined forces with violinist Stephane Grappelli to form the Quintet of the Hot Club of France (Quintette du Hot Club de France). Their group, which grew to include Reinhardt's brother Joseph and others, became the first major European jazz band. Some of the band's early recordings included covers of American songs like "Dinah" and "Lady Be Good," and these tracks helped win them a following on both sides of the Atlantic.

Reinhardt also produced original music, which fused his musical heritage with the latest jazz and swing sounds. Some of his most famous works with the quintet are "Djangology," "Bricktop" and "Swing 39." His style from this period has been called "gypsy swing" and "le jazz hot."


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Anton Goudsmit (guitar)

Guitarist Anton Goudsmit is a much sought-after player who does amazing things with whatever music he is presented with or writes. In 2001 Anton formed the Ploctones to perform a series of his compositions commissioned by Dutch NPS Radio.
In 2004 a Goudsmit organized a live CD recording of the Ploctones at the Jazz op het Dak festival which was featured on VPRO television. Since then the Ploctones have emerged as a very creative and innovative group, capable of combining grooves and improvisation. Anton also performs internationally with the New Cool Collective as well as Eric Vloeimans’ Fugimundi trio (US tours in 2008 and 2010). Anton Goudsmit won the coveted Boy Edgar Prize in 2010 for his contribution and standing on...
more
Guitarist Anton Goudsmit is a much sought-after player who does amazing things with whatever music he is presented with or writes. In 2001 Anton formed the Ploctones to perform a series of his compositions commissioned by Dutch NPS Radio.
In 2004 a Goudsmit organized a live CD recording of the Ploctones at the Jazz op het Dak festival which was featured on VPRO television. Since then the Ploctones have emerged as a very creative and innovative group, capable of combining grooves and improvisation. Anton also performs internationally with the New Cool Collective as well as Eric Vloeimans’ Fugimundi trio (US tours in 2008 and 2010). Anton Goudsmit won the coveted Boy Edgar Prize in 2010 for his contribution and standing on the Dutch Jazz Scene.

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Bill Frisell

Bill Frisell (electric guitar) Bill Frisell, born in 1951, is an American guitarist and composer known for his distinctive approach to jazz, country, and folk music. With a career spanning decades, Frisell has collaborated with a diverse range of musicians, crafting a unique sound that blends various genres seamlessly.
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Bill Frisell (electric guitar) Bill Frisell, born in 1951, is an American guitarist and composer known for his distinctive approach to jazz, country, and folk music. With a career spanning decades, Frisell has collaborated with a diverse range of musicians, crafting a unique sound that blends various genres seamlessly.


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Thelonious Monk

The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk's music was that it was fully formed by 1947 and he saw no need to alter his playing or compositional style in the slightest during the next 25 years.
more
The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk's music was that it was fully formed by 1947 and he saw no need to alter his playing or compositional style in the slightest during the next 25 years.

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